Composition
For further information on the pieces and inquiries please use the contact form.
B-Nature
2024
for Mercedes Krapovickas and her bandoneon
duration: 40 minutes
developed in close collaboration with musician Mercedes Krapovickas and nature
Urban Fragments: Gdansk
2024
for pianist and percussionist
duration: minimum 20 minutes, no maximum
developed in close collaboration with musicians Piotr and Paweł Nowicki
Urban Fragments: Warsaw
2024
Warsaw 1
duration: 7 minutes
Warsaw 2
duration: 6 minutes
created for ensemble kwartludium (violin, bass-clarinet, piano and percussion)
developed in close collaboration with musicians Dagna Sadkowska, Piotr Nowicki, Michał Górczyński, Paweł Nowicki
Receptaculum
2023
nature-based score for conductor and open ensemble
duration: 5 minutes
in close collaboration with nature
From Wood
2022
string trio for Violin, Cello and Double Bass
duration: 44 minutes
You can listen to an extract from a work-in-progress sharing here
developed in close collaboration with musicians Eva Lindal, Svante Henryson and Karl Boson
Little Brook Piece
2022
eco-conscious site-sensitive vocal performance
duration: around 10 minutes, depends on the environment
developed on site for UKE 33 in Trondheim
Emotionspaces
2022
radio piece for voice, found objects, harmoniums, percussion
duration: 35 minutes
the album is available here
co-composed and performed together with composer and musician Josué Moreno
Danceplaying the Accordion
2021
choreographed solo performance for Accordionist and her instrument
duration: 45 minutes
developed and co-composed with Accordionist Mara Peiseniece
Musica Mundana
2021
spatial sound performance for 11 voices, 3 percussionists and the space R1 in Stockholm
duration: 56 minutes
video documentation of this performance is available here
developed on site in close collaboration with the musicians, informed by collaboration with Astrophysicists
Reaktorhallen 589
2021
spatial sound performance for voices, percussion and the space R1
duration: 10:27 minutes
You can listen to the piece here
POTLATCH 589 was an invitation by artist duo sister to several international sound artists to create works based on one of their pieces. This piece is my response
Demmin - letting a city sound
2018
site-sensitive vocal performance, a dialogue between ageing voices and decaying buildings in the open air
duration: approx. 40 minutes
This publications describes the process, including audio and video examples VIS Journal #3 Theme: History Now, 2020
Musica Munda
2018
site-sensitive performance at LARVA in Guadalajara (Mexico) for 6 voices, 1 cello and 3 percussionists
duration: 34 minutes
More about this project here
